Cloisonne animals are featured in a catalog from Peking Arts and Crafts. While there is no publication date listed, the phrase
“Since the Great Proletarian Cultural Revolution this
kind of traditional arts has undergone further development, winning popular
favour among peoples of all countries”
likely places the date within the 1966-76 era of the
Cultural Revolution, which ended in 1976 with the deaths of Mao and Zhou Enlai.
Imports from China had been under embargo by the United
States for 20 years, from the Korean War in 1950 until after Kissinger’s visit
in mid-1971 to reopen diplomatic and trade relations. According to the back
information in the catalog, however, the major export customer for the
cloisonne products listed was still Hong Kong.
Zhang Tonglu, who worked at the cloisonne workshop in the
Peking Arts and Crafts factory (established 1960 cf prior blog post), related in interviews how buyers
from Hong Kong used to reside for weeks in hotels surrounding the factory in
order to accumulate stock immediately as works were produced.
Following the scans of the catalog pages are a few pictures
from the Palace Museum collection showing some cloisonne works the factory
artists might have used for inspiration in their effort to update “traditional
arts.”
Note: pictures can be opened in a new tab if an expanded view is desired.
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